Tuned Space Vol. 1The Space and its atmospheres as a medium of representation a multimedia work
The focus of this work is comprised of an examination of space, and what is of particular interest is our perceptions of spatial atmospheres.
As is evident with regard to previous work, historical spaces remain a recurring theme, where the past lives of these spaces provide the very starting point. Indirectly they establish the moods, or atmospheres of given spaces and thus provide us with the influence that rooms possess with regard to our own perceptions.
Atmosphere designates something that is, in a sense, indeterminate and diffuse, but precisely not indeterminate with regard to what it is—to its character. Atmospheres are indeterminate with regard, above all, to their ontological statuses. One is never altogether sure whether to attribute them to the objects or surroundings from which they issue or to the subjects that experience them. Neither is one really sure of where they are to be located. They would seem to ll the room with a more or less nebulous emotional tone.²
Atmospheres are neither states of the subject nor qualities of the object. Nonetheless, they can only be experienced by the concurrent perception of a subject and are thus partly constituted in their being something, in their character, by the subjectivity of the perceiving party. To whatever extent, then, that they are not qualities of the object, they are clearly generated through the various qualities of the object by their interplay. This means that atmospheres are something to be located between the subject and the object. They are not something relational but are rather the relation itself.³
² Gernot Böhme ‘Der Raum, das Szenische und die Fotografie’
³ Böhme, Aisthetik: Vorlesung über Ästhetik als allgemeine Wahrnehmungslehre (Wilhelm Fink Verlag: 2001).